#Leica 50mm summicron vs zeiss 35mm c biogon 2.8 full

Lets look at the Biogon ZM f/2 starting at its widest aperture and going to f/8 in full stops.

The first samples we are going to see are from the 7Artisans, click on the thumbnail to enlarge starting from f/1.4 towards f/8 in full stops. The 6bit coding is useless when using them on a film rangefinder because the lack of 6bit readers. This helps a lot when going in and out of places and leaving the camera in A mode or Auto ISO. None of these lenses pictured above are 6bit coded but you can still help your digital Leica by selecting the lens from the list in the camera settings, this will help you identify the lens focal length used at a later time, correct some visual problems in camera JPGs but mainly will also limit the maximum duration of the shutter speed (if set) and that is what I love, because a 35mm can be shot at lower shutter speeds while a 50 or 90 require faster speeds. Zeiss Biogon ZM vs Distagon ZM vs 7Artisans WEN by ErickPHOTO I really like the built-in hood of the 7Artisans, itРІР‚в„ўs there when you need it and collapsed when you donРІР‚в„ўt, genial! Maybe even prefer it over a square hood? possibly. The Summilux is often preferred because of its small size but being realistic, a bigger ring and the perfect resistance award goes to the Zeiss Distagon, you have a better turning ratio. Starting with size, on the image above it is obvious which lens is bigger, but in my hands the Distagon feels bigger.

I will add more side by side comparisons as I make time to publish them but for now, here are the results in phase 3. After reviewing the Distagon 35mm f/1.4 ZM lens and other 35mm lenses for the M mount world, many people requested that IРІР‚в„ўd compare them side by side, it took a lot of time, money and effort.